Catacombs of Saint Gaudiosus in Naples

The Catacombs of Saint Gaudiosus are an underground paleo-Christian burial sites (4th-5th century BC), located in the northern area of the city of Naples (now Stella district).

History

The catacombs probably held on a pre-existenting greek-roman necropolis in the nowadays district know as Rione Sanità, that was uninhabited at that time. According to tradition, it was the burial site of St. Gaudiosus, a bishop arrived in Naples from the North Africa, due to a shipwreck.

His burial took place between 451 and 453 and the place, although was already the tomb of another bishop, St. Nostriano, became an object of veneration and since then known by St. Gaudosio name.

As said, the entire area of Rione Sanità was uninhabited and almost "forgot" throughout the Middle Ages also because of the numerous mudslides that, from above the hill of Capodimonte, flocked to the "virgin village" submerging each item they encountered in their path.

The urbanization of Rione Sanità began only around the sixteenth century and, with it, also the catacombs returned to their original burial function. During the seventeenth century with the construction of the basilica of Santa Maria della Sanità just above the ancient church or chapel of St. Gaudioso, the underground cemetery was "modernized" with profound changes in its original structure until the destruction of some of its parts.

After the outbreak of 1656, the vast limestone caves in the valley became a huge open-air graveyard and here, at the time of Joachim Murat, numerous bones from the "mummification rooms" were moved as well as victims of other epidemics such as cholera of 1836.

Nowadays, only a small portion of what were the original catacombs.

Description

Access to the catacombs is in the crypt, under the raised presbytery of the church dedicated to Our Lady of Health. This subject is represented in a fresco pheraphs detached by a wall of the old church, due to a mud slide.

Our Lady of Health (5th – 6th century), probably the most ancient Marian representation of Naples, is now kept in the first right side chapel of the basilica. Many hinabitants of the neighborhood, however, believe that the church is dedicated to St. Vincent Ferrer, because of the popular devotion to this holy Dominican and of the beautiful wooden statue of him, placed at the left of the altar.

The crypt, once a long corridor catacomb, clearly contains on the vault and on the walls, visible frescoes by Bernardino Fera representing stories of martyrs. The arcosolium, placed at the entrance, guards the Tomb of San Gaudioso, with a sixth-century mosaic decoration.

In the various cubicles that open along the arms of the catacombs, were located 5th – 6th century frescoes (St. Peter's, among others, and San Sossio, deacon of Pozzuoli) and a mosaic dating before the late 5th century. The tufa sculpture of the dead Christ to the left of the entrance dates back at the end of the 7th century. The 7th century was for the catacombs a new period of use, especially by the Dominican friars. In this era it was, infact, still widespread the use of the drainer: stone cavities in which corps were leaned into a fetal position, to make him lose the fluids.

The Dominican friars thought that the head was the most important part of the body as the seat of thoughts; that’s way, after drying, the heads were preserved, while the rest of the body was amassed in the charnel house.

During this period was also exercised a macabre practice to take the heads of the now dried corpses and lock them in the walls and painting below a body that would give some indication of the profession of the deceased. This type of burial was reserved for the wealthy classes and was later abandoned due to hygienic reasons.

Curiosities

Of the German’s body, embedded in the walls, only the skulls survived, due to the fact that the surface had been deteriorated by the humidity. Most of that skullcaps are smaller than modern men ones, maybe because of the different nutrition and the healthier way of life.

The Neapolitan actor Antonio De Curtis, known as Totò, was a native of the Rione Sanità and he was used to frequent its catacombs, where there is a fresco representing death winning over Everything. This image has probably inspired Toto’s poem “A’ livella”.

Nowadays, the Dominican cloister, close to the Basilica of Our Lady of Health, has become a bed and breakfast, run by the same cooperative of young people who also care visits to the catacombs of San Gaudioso and San Gennaro. To see even the part illuminated not by the lights, during the visit, it is advisable to bring a flashlight.