Venice (English /ˈvɛnɪs/ VEN-iss; Italian: Venezia [veˈnɛttsja] ( listen)) is a city in northeastern Italy and the capital of the Veneto region. It is situated across a group of 117 small islands that are separated by canals and linked by bridges. These are located in the marshy Venetian Lagoon which stretches along the shoreline, between the mouths of the Po and the Piave Rivers. Parts of Venice are renowned for the beauty of their settings, their architecture, and artwork. The lagoon and a part of the city are listed as a World Heritage Site.
In 2009, 270,098 people resided in Venice's comune (the population estimate of 272,000 inhabitants includes the population of the whole Comune of Venezia; of whom around 60,000 live in the historic city of Venice (Centro storico); 176,000 in Terraferma (the mainland), mostly in the large frazioni (roughly equivalent to "parishes" or "wards" in other countries) of Mestre and Marghera; and 31,000 on other islands in the lagoon). Together with Padua and Treviso, the city is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), with a total population of 2,600,000. PATREVE is only a statistical metropolitan area without any degree of autonomy.
The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historically the capital of the Republic of Venice. Venice has been known as the "La Dominante", "Serenissima", "Queen of the Adriatic", "City of Water", "City of Masks", "City of Bridges", "The Floating City", and "City of Canals".
The Republic of Venice was a major maritime power during the Middle Ages and Renaissance, and a staging area for the Crusades and the Battle of Lepanto, as well as a very important center of commerce (especially silk, grain, and spice) and art in the 13th century up to the end of the 17th century. This made Venice a wealthy city throughout most of its history. It is also known for its several important artistic movements, especially the Renaissance period. After the Napoleonic Wars and the Congress of Vienna, the Republic was annexed by the Austrian Empire, until it became part of the Kingdom of Italy in 1866, following a referendum held as a result of the Third Italian War of Independence. Venice has played an important role in the history of symphonic and operatic music, and it is the birthplace of Antonio Vivaldi.
The name of the city, deriving from Latin forms Venetia and Venetiae, is most likely taken from "Venetia et Histria", the Roman name of Regio X of Roman Italy, but applied to the coastal part of the region that remained under Roman Empire outside of Gothic, Lombard, and Frankish control. The name Venetia, however, derives from the Roman name for the people known as the Veneti, and called by the Greeks Eneti (Ἐνετοί). The meaning of the word is uncertain, although there are other Indo-European tribes with similar-sounding names, such as the Celtic Veneti, Baltic Veneti, and the Slavic Wends. Linguists suggest that the name is based on an Indo-European root *wen ("love"), so that *wenetoi would mean "beloved", "lovable", or "friendly". A connection with the Latin word venetus, meaning the color 'sea-blue', is also possible. Supposed connections of Venetia with the Latin verb venire (to come), such as Marin Sanudo's veni etiam ("Yet, I have come!"), the supposed cry of the first refugees to the Venetian lagoon from the mainland, or even with venia ("forgiveness") are fanciful. The alternative obsolete form is Vinegia [viˈnɛːdʒa]; (Venetian: Venèxia [veˈnɛzja]; Latin: Venetiae; Slovene: Benetke).
Although no surviving historical records deal directly with the founding of Venice, tradition and the available evidence have led several historians to agree that the original population of Venice consisted of refugees from Roman cities near Venice such as Padua, Aquileia, Treviso, Altino and Concordia (modern Portogruaro) and from the undefended countryside, who were fleeing successive waves of Germanic and Hun invasions. Some late Roman sources reveal the existence of fishermen on the islands in the original marshy lagoons. They were referred to as incolae lacunae ("lagoon dwellers"). The traditional founding is identified with the dedication of the first church, that of San Giacomo on the islet of Rialto (Rivoalto, "High Shore") — said to have taken place at the stroke of noon on 25 March 421 (the Feast of the Annunciation).
Beginning as early as AD 166 to 168, the Quadi and Marcomanni destroyed the main center in the area, the current Oderzo. The Roman defences were again overthrown in the early 5th century by the Visigoths and, some 50 years later, by the Huns led by Attila. The last and most enduring immigration into the north of the Italian peninsula, that of the Lombards in 568, left the Eastern Roman Empire a small strip of coast in the current Veneto, including Venice. The Roman/Byzantine territory was organized as the Exarchate of Ravenna, administered from that ancient port and overseen by a viceroy (the Exarch) appointed by the Emperor in Constantinople, but Ravenna and Venice were connected only by sea routes; and with the Venetians' isolated position came increasing autonomy. New ports were built, including those at Malamocco and Torcello in the Venetian lagoon. The tribuni maiores, the earliest central standing governing committee of the islands in the Lagoon, dated from c. 568.
The traditional first doge of Venice, Paolo Lucio Anafesto, was actually Exarch Paul, and his successor, Marcello Tegalliano, was Paul's magister militum (General: literally, "Master of Soldiers"). In 726 the soldiers and citizens of the Exarchate rose in a rebellion over the iconoclastic controversy at the urging of Pope Gregory II. The Exarch was murdered and many officials put to flight in the chaos. At about this time, the people of the lagoon elected their own leader for the first time, although the relationship of this to the uprisings is not clear. Ursus was the first of 117 "doges" (doge is the Venetian dialect development of the Latin dux ("leader"); the corresponding word in English is duke, in standard Italian duce.) Whatever his original views, Ursus supported Emperor Leo III's successful military expedition to recover Ravenna, sending both men and ships. In recognition of this, Venice was "granted numerous privileges and concessions" and Ursus, who had personally taken the field, was confirmed by Leo as dux and given the added title of hypatus (Greek for "Consul".)
In 751 the Lombard King Aistulf conquered most of the Exarchate of Ravenna, leaving Venice a lonely and increasingly autonomous Byzantine outpost. During this period, the seat of the local Byzantine governor (the "duke/dux", later "doge"), was situated in Malamocco. Settlement on the islands in the lagoon probably increased with the Lombard conquest of other Byzantine territories, as refugees sought asylum there. In 775/6 the episcopal seat of Olivolo (San Pietro di Castello; Helipolis) was created. During the reign of duke Agnello Particiaco (811–827) the ducal seat moved from Malamocco to the highly protected Rialto, the current location of Venice. The monastery of St Zachary and the first ducal palace and basilica of St. Mark, as well as a walled defense (civitatis murus) between Olivolo and Rialto, were subsequently built here.
Charlemagne sought to subdue the city to his own rule. He ordered the Pope to expel the Venetians from the Pentapolis along the Adriatic coast, and Charlemagne's own son Pepin of Italy, king of the Lombards under the authority of his father, embarked on a siege of Venice itself. This, however, proved a costly failure. The siege lasted six months, with Pepin's army ravaged by the diseases of the local swamps and eventually forced to withdraw (810). A few months later, Pepin himself died, apparently as a result of a disease contracted there. In the aftermath, an agreement between Charlemagne and the Byzantine Emperor Nicephorus in 814 recognized Venice as Byzantine territory and granted the city trading rights along the Adriatic coast.
In 828 the new city's prestige increased with the acquisition of the claimed relics of St Mark the Evangelist from Alexandria, which were placed in the new basilica. (Winged lions, visible throughout Venice, symbolise St Mark.) The patriarchal seat also moved to Rialto. As the community continued to develop and as Byzantine power waned, its autonomy grew, leading to eventual independence.
From the 9th to the 12th century, Venice developed into a city state (an Italian thalassocracy or Repubblica Marinara: the other three of these were Genoa, Pisa, and Amalfi). Its strategic position at the head of the Adriatic made Venetian naval and commercial power almost invulnerable. With the elimination of pirates along the Dalmatian coast, the city became a flourishing trade center between Western Europe and the rest of the world (especially the Byzantine Empire and Asia) with a naval power protecting sea routes from Islamic piracy.
The Republic of Venice seized a number of places on the eastern shores of the Adriatic before 1200, mostly for commercial reasons, because pirates based there were a menace to trade. The Doge already carried the titles of Duke of Dalmatia and Duke of Istria. Later mainland possessions, which extended across Lake Garda as far west as the Adda River, were known as the "Terraferma", and were acquired partly as a buffer against belligerent neighbours, partly to guarantee Alpine trade routes, and partly to ensure the supply of mainland wheat, on which the city depended. In building its maritime commercial empire, the Republic dominated the trade in salt, acquired control of most of the islands in the Aegean, including Cyprus and Crete, and became a major power-broker in the Near East. By the standards of the time, Venice's stewardship of its mainland territories was relatively enlightened and the citizens of such towns as Bergamo, Brescia and Verona rallied to the defence of Venetian sovereignty when it was threatened by invaders.
Venice remained closely associated with Constantinople, being twice granted trading privileges in the Eastern Roman Empire, through the so-called Golden Bulls or "chrysobulls" in return for aiding the Eastern Empire to resist Norman and Turkish incursions. In the first chrysobull, Venice acknowledged its homage to the Empire; but not in the second, reflecting the decline of Byzantium and the rise of Venice's power.
Venice became an imperial power following the Fourth Crusade, which, having veered off course, culminated in 1204 by capturing and sacking Constantinople and establishing the Latin Empire. As a result of this conquest, considerable Byzantine plunder was brought back to Venice. This plunder included the gilt bronze horses from the Hippodrome of Constantinople, which were originally placed above the entrance to the cathedral of Venice, St Mark's Basilica, although the originals have been replaced with replicas and are now stored within the basilica. After the fall of Constantinople, the former Roman Empire was partitioned among the Latin crusaders and the Venetians. Venice subsequently carved out a sphere of influence in the Mediterranean known as the Duchy of the Archipelago, and captured Crete.
The seizure of Constantinople proved as decisive a factor in ending the Byzantine Empire as the loss of the Anatolian themes after Manzikert. Although the Byzantines recovered control of the ravaged city a half-century later, the Byzantine Empire was terminally weakened, and existed as a ghost of its old self until Sultan Mehmet The Conqueror took the city in 1453.
Situated on the Adriatic Sea, Venice always traded extensively with the Byzantine Empire and the Muslim world. By the late 13th century, Venice was the most prosperous city in all of Europe. At the peak of its power and wealth, it had 36,000 sailors operating 3,300 ships, dominating Mediterranean commerce. Venice's leading families vied with each other to build the grandest palaces and support the work of the greatest and most talented artists. The city was governed by the Great Council, which was made up of members of the noble families of Venice. The Great Council appointed all public officials and elected a Senate of 200 to 300 individuals. Since this group was too large for efficient administration, a Council of Ten (also called the Ducal Council or the Signoria), controlled much of the administration of the city. One member of the great council was elected "Doge", or duke, the chief executive, who usually held the title until his death; although several Doges were forced by pressure from their oligarchical peers to resign and retire into monastic seclusion when they were felt to have been discredited by political failure.
The Venetian government structure was similar in some ways to the republican system of ancient Rome, with an elected chief executive (the Doge), a senate-like assembly of nobles, and a mass of citizens with limited political power, who originally had the power to grant or withhold their approval of each newly elected Doge. Church and various private properties were tied to military service, although there was no knight tenure within the city itself. The Cavalieri di San Marco was the only order of chivalry ever instituted in Venice, and no citizen could accept or join a foreign order without the government's consent. Venice remained a republic throughout its independent period, and politics and the military were kept separate, except when on occasion the Doge personally headed the military. War was regarded as a continuation of commerce by other means (hence, the city's early production of large numbers of mercenaries for service elsewhere, and later its reliance on foreign mercenaries when the ruling class was preoccupied with commerce).
Although the people of Venice generally remained orthodox Roman Catholics, the state of Venice was notable for its freedom from religious fanaticism and executed nobody for religious heresy during the Counter-Reformation. This apparent lack of zeal contributed to Venice's frequent conflicts with the Papacy. In this context, the writings of the Anglican divine William Bedell are particularly illuminating. Venice was threatened with the interdict on a number of occasions, and twice suffered its imposition. The second, most famous, occasion was in 1606, by order of Pope Paul V.
Venetian ambassadors sent home still-extant secret reports of the politics and rumours of European courts, providing fascinating information to modern historians.
The newly invented German printing press spread rapidly throughout Europe in the 15th century, and Venice was quick to adopt it. By 1482, Venice was the printing capital of the world, and the leading printer was Aldus Manutius, who invented paperback books that could be carried in a saddlebag. His Aldine Editions included translations of nearly all the known Greek manuscripts of the era.
Venice's long decline started in the 15th century, when it first made an unsuccessful attempt to hold Thessalonica against the Ottomans (1423–1430). It also sent ships to help defend Constantinople against the besieging Turks (1453). After Constantinople fell to Sultan Mehmet II, he declared war on Venice. The war lasted thirty years and cost Venice much of its eastern Mediterranean possessions. Next, Christopher Columbus discovered the New World in 1492. Then Vasco da Gama of Portugal found a sea route to India by rounding the Cape of Good Hope during his first voyage of 1497-99, destroying Venice's land route monopoly. France, England and the Dutch Republic followed. Venice's oared galleys were at a disadvantage when it came to traversing the great oceans, and therefore Venice was left behind in the race for colonies.
The Black Death devastated Venice in 1348 and once again between 1575 and 1577. In three years, the plague killed some 50,000 people. In 1630, the Italian plague of 1629–31 killed a third of Venice's 150,000 citizens. Venice began to lose its position as a center of international trade during the later part of the Renaissance as Portugal became Europe's principal intermediary in the trade with the East, striking at the very foundation of Venice's great wealth; while France and Spain fought for hegemony over Italy in the Italian Wars, marginalising its political influence. However, the Venetian empire was a major exporter of agricultural products, and until the mid-18th century, a significant manufacturing center.
During the 18th century, Venice became perhaps the most elegant and refined city in Europe, greatly influencing art, architecture and literature. But the Republic lost its independence when Napoleon Bonaparte conquered Venice on 12 May 1797 during the First Coalition. Napoleon was seen as something of a liberator by the city's Jewish population, although it can be argued they had lived with fewer restrictions in Venice. He removed the gates of the Ghetto and ended the restrictions on when and where Jews could live and travel in the city.
Venice became Austrian territory when Napoleon signed the Treaty of Campo Formio on 12 October 1797. The Austrians took control of the city on 18 January 1798. But Venice was taken from Austria by the Treaty of Pressburg in 1805 and became part of Napoleon's Kingdom of Italy; however it was returned to Austria following Napoleon's defeat in 1814, when it became part of the Austrian-held Kingdom of Lombardy-Venetia. In 1848–9, a revolt briefly re-established the Venetian Republic under Daniele Manin. In 1866, after the Third Italian War of Independence, Venice, along with the rest of the Veneto, became part of the newly created Kingdom of Italy.
During the Second World War, the historic city was largely free from attack, the only aggressive effort of note being Operation Bowler, a successful Royal Air Force precision strike on the German naval operations in the city in March 1945. The targets were destroyed with virtually no architectural damage inflicted on the city itself. However the industrial areas in Mestre and Marghera and the railway lines to Padua, Trieste and Trento were repeatedly bombed. On 29 April 1945, New Zealand troops under Freyberg of the Eighth Army reached Venice and relieved the city and the mainland, which were already in partisan hands.
Subsidence, the gradual lowering of the surface of Venice, has led to the seasonal Acqua alta when much of the city's surface is occasionally covered at high tide.Foundations
The buildings of Venice are constructed on closely spaced wooden piles. Most of these piles are still intact after centuries of submersion. The foundations rest on plates of Istrian limestone placed on top of the piles, and buildings of brick or stone sit above these footings. The piles penetrate a softer layer of sand and mud until they reach a much harder layer of compressed clay.
Submerged by water, in oxygen-poor conditions, wood does not decay as rapidly as on the surface.
Most of these piles were made from trunks of alder trees, a wood noted for its water resistance. The alder came from the westernmost part of today's Slovenia (resulting in the barren land of the Kras region), in two regions of Croatia, Lika and Gorski kotar (resulting in the barren slopes of Velebit) and south of Montenegro.History
The city is often threatened by flood tides pushing in from the Adriatic between autumn and early spring. Six hundred years ago, Venetians protected themselves from land-based attacks by diverting all the major rivers flowing into the lagoon and thus preventing sediment from filling the area around the city. This created an ever-deeper lagoon environment.
In 1604, to defray the cost of flood relief, Venice introduced what could be considered the first example of a 'stamp tax'. When the revenue fell short of expectations in 1608, Venice introduced paper with the superscription 'AQ' and imprinted instructions, which was to be used for 'letters to officials'. At first, this was to be a temporary tax, but it remained in effect until the fall of the Republic in 1797. Shortly after the introduction of the tax, Spain produced similar paper for general taxation purposes, and the practice spread to other countries.
During the 20th century, when many artesian wells were sunk into the periphery of the lagoon to draw water for local industry, Venice began to subside. It was realised that extraction of water from the aquifer was the cause. The sinking has slowed markedly since artesian wells were banned in the 1960s. However, the city is still threatened by more frequent low-level floods (called Acqua alta, "high water") that creep to a height of several centimetres over its quays, regularly following certain tides. In many old houses, the former staircases used to unload goods are now flooded, rendering the former ground floor uninhabitable.
Studies indicate that the city continues sinking at a relatively slow rate of 1-2mm per annum; therefore, the state of alert has not been revoked. In May 2003, the Italian Prime Minister Silvio Berlusconi inaugurated the MOSE project (Modulo Sperimentale Elettromeccanico), an experimental model for evaluating the performance of hollow floatable gates; the idea is to fix a series of 78 hollow pontoons to the sea bed across the three entrances to the lagoon. When tides are predicted to rise above 110 centimetres, the pontoons will be filled with air, causing them to float and block the incoming water from the Adriatic Sea. This engineering work is due to be completed by 2016.
The whole pensolon (municipality) is divided into 6 boroughs. One of these (the historic city) is divided into six areas called sestieri: Cannaregio, San Polo, Dorsoduro (including the Giudecca and Isola Sacca Fisola), Santa Croce, San Marco (including San Giorgio Maggiore) and Castello (including San Pietro di Castello and Sant'Elena). Each sestiere was administered by a procurator and his staff. Nowadays each sestiere is a statistical and historical area without any degree of autonomy. The six fingers or flanges of the ferro on the bow of a gondola represent the six sestieri.
The sestieri are divided into parishes – initially 70 in 1033, but reduced under Napoleon and now numbering just 38. These parishes predate the sestieri, which were created in about 1170.
Other islands of the Venetian Lagoon do not form part of any of the sestieri, having historically enjoyed a considerable degree of autonomy.
Each sestiere has its own house numbering system. Each house has a unique number in the district, from one to several thousand, generally numbered from one corner of the area to another, but not usually in a readily understandable manner.
In the historical city
Venice is built on an archipelago of 117 islands formed by 177 canals in a shallow lagoon, connected by 409 bridges. In the old centre, the canals serve the function of roads, and almost every form of transport is on water or on foot. In the 19th century, a causeway to the mainland brought the Venezia Santa Lucia railway station to Venice, and the Ponte della Libertà road causeway and parking facilities (in Tronchetto island and in piazzale Roma) were built during the 20th century. Beyond the road and rail land entrances at the northern edge of the city, transportation within the city remains (as it was in centuries past) entirely on water or on foot. Venice is Europe's largest urban car-free area. Venice is unique in Europe, in having remained a sizable functioning city in the 21st century entirely without motorcars or trucks.
The classical Venetian boat is the gondola, (plural: gondole) although it is now mostly used for tourists, or for weddings, funerals, or other ceremonies, or as 'traghetti' (sing.: traghetto) to cross the Canale Grande in the absence of a nearby bridge. Many gondolas are lushly appointed with crushed velvet seats and Persian rugs. Less well-known is the smaller sandolo. At the front of each gondola that works in the city, there is a large piece of metal called the fèro (iron). Its shape has evolved through the centuries, as documented in many well-known paintings. Its form, topped by a likeness of the Doge's hat, became gradually standardized, and was then fixed by local law. It consists of six bars pointing forward representing the Sestieri of the city, and one that points backward representing the Giudecca.Waterways
Venice is a city of small islands, enhanced during the Middle Ages by the dredging of soils to raise the marshy ground above the tides. The resulting canals encouraged the flourishing of a nautical culture which proved central to the economy of the city. Today those canals still provide the means for transport of goods and people within the city.
The maze of canals threaded through the city requires the use of more than 400 bridges to permit the flow of foot traffic. In 2011, the city opened Ponte della Costituzione, the fourth bridge across the Grand Canal, connecting the Piazzale Roma bus terminal area with the Stazione Ferroviaria (train station), the others being the original Ponte di Rialto, the Ponte dell'Accademia, and the Ponte degli Scalzi.
Azienda del Consorzio Trasporti Veneziano (ACTV) is a public company responsible for public transportation in Venice.Lagoon area
The main public transportation means are motorised waterbuses (vaporetti) which ply regular routes along the Grand Canal and between the city's islands. The only gondole still in common use by Venetians are the traghetti, foot passenger ferries crossing the Grand Canal at certain points without bridges.
The Venice People Mover (managed by ASM) is a cable-operated public transit system connecting Tronchetto island with Piazzale Roma. Water taxis are also active.Lido and Pellestrina islands
Lido and Pellestrina are two islands forming a barrier between the southern Venetian Lagoon and the Adriatic Sea. In those islands, road traffic is allowed. There are bus services on islands and waterbus services linking islands with other islands (Venice, Murano, Burano) and with the peninsula of Cavallino-Treporti.Mainland
The mainland of Venice is composed of 5 boroughs: Mestre-Carpenedo, Marghera, Chirignago-Zelarino and Favaro Veneto. Mestre is the center and the most populated urban area of the mainland of Venice. There are several bus routes and two Translohr tramway lines. Several bus routes and one of the above tramway lines link the mainland with Piazzale Roma, the main bus station in Venice, via Ponte della Libertà, a road bridge connecting the mainland with the group of islands that comprise the historic center of Venice.
Vaporetto in Venice
People Mover in Venice
Bus in Mestre
Tram in Mestre
Venice has regional and national trains, including trains to Rome (3.5 hours) and Milan (2.5 hours). Treviso is 35 minutes away. Florence and Padua are two of the stops between Rome and Venice. There are two main stations:
- The St Lucia station is a few steps away from a vaporetti stop in the historic city next to Piazzale Roma. As well as many more local trains, this station is the terminus of the Venice Simplon Orient Express from Paris and London.
- The Mestre station is on the mainland, on the border between the boroughs of Mestre and Marghera.
Both stations are managed by Grandi Stazioni; they are linked by the Ponte della Libertà (Liberty Bridge) between the mainland and the islands.
Others small stations in the municipality are: Venezia Porto Marghera, Venezia Carpenedo, Venezia Mestre Ospedale, Venezia Mestre Porta Ovest.
Venice is served by the Marco Polo International Airport (Aeroporto di Venezia Marco Polo), named in honor of its famous citizen. The airport is on the mainland and was rebuilt away from the coast. Public transport from the airport takes one to:
- Venice Piazzale Roma by ATVO (provincial company) buses and by ACTV (city company) buses (route 5 aerobus);
- Venice, Lido and Murano by Alilaguna (private company) motor boats;
- Mestre, the mainland and Venice Mestre railway station (convenient for connections to Milan, Padova, Trieste, Verona and the rest of Italy) by ACTV lines (route 15 and 45) and by ATVO lines;
- regional destinations (Treviso, Padua, the beach, ...) by ATVO buses and by Busitalia Sita Nord buses (national company).
Some airlines market Treviso Airport in Treviso, 30 kilometres (19 mi) from Venice, as a Venice gateway. Some simply advertise flights to "Venice", while naming the actual airport only in small print. There are public buses from the airport to Venice from this airport.
Venezia-Lido "Giovanni Nicelli", a public airport suitable for smaller aircraft, is at the NE end of Lido di Venezia. It has a 994-metre grass runway.
Cinema, media, and popular culture
Venice has been the setting or chosen location of numerous films, games, works of literature, music videos, novels, poems, television shows, and other cultural references.In literature and adapted works
The city is a particularly popular setting for essays, novels, and other works of fictional or non-fictional literature. Examples of these include: Casanova's autobiographical History of My Life, Ben Jonson's Volpone (1605-6), Anne Rice's Cry to Heaven (1982), Shakespeare's Merchant of Venice (ca. 1596-1598) and Othello, Philippe Sollers' Watteau in Venice, and Voltaire's Candide. Additionally, Thomas Mann's novella, Death in Venice (1912), was the basis for Benjamin Britten's opera Death in Venice.Films
Examples of films set or shot in Venice include:
- Luchino Visconti's Death in Venice
- Three James Bond films: From Russia with Love, Moonraker, and Casino Royale (2006)
- The Tourist (2010)
- Summertime (1955), starring Katharine Hepburn
- Fellini's Casanova
- Nicolas Roeg's Don't Look Now
- The Wings of the Dove
- Indiana Jones and the Last Crusade
- A Little Romance
- Lara Croft: Tomb Raider
- The Talented Mr. Ripley (1999)
- Dangerous Beauty (1988), the biography of Veronica Franco, the 16th century beauty
- Penguins of Madagascar
The city is also the setting for such video games as Assassin's Creed II and Tomb Raider II.In music
The city has also been the setting for the music videos of Madonna's "Like a Virgin" and Siouxsie and the Banshees' "Dear Prudence" .
Venice has a rich and diverse architectural style, the most famous of which is the Gothic style. Venetian Gothic architecture is a term given to a Venetian building style combining use of the Gothic lancet arch with Byzantine and Ottoman influences. The style originated in 14th-century Venice, where the confluence of Byzantine style from Constantinople met Arab influence from Moorish Spain. Chief examples of the style are the Doge's Palace and the Ca' d'Oro in the city. The city also has several Renaissance and Baroque buildings, including the Ca' Pesaro and the Ca' Rezzonico.
The city of Venice in Italy has played an important role in the development of the music of Italy. The Venetian state – i.e., the medieval Maritime Republic of Venice – was often popularly called the "Republic of Music", and an anonymous Frenchman of the 17th century is said to have remarked that "In every home, someone is playing a musical instrument or singing. There is music everywhere."
During the 16th century, Venice became one of the most important musical centers of Europe, marked by a characteristic style of composition (the Venetian school) and the development of the Venetian polychoral style under composers such as Adrian Willaert, who worked at St Mark's Basilica. Venice was the early center of music printing; Ottaviano Petrucci began publishing music almost as soon as this technology was available, and his publishing enterprise helped to attract composers from all over Europe, especially from France and Flanders. By the end of the century, Venice was famous for the splendor of its music, as exemplified in the "colossal style" of Andrea and Giovanni Gabrieli, which used multiple choruses and instrumental groups. Venice was also the home of many famous composers during the baroque period, such as Antonio Vivaldi, Ippolito Ciera, Giovanni Picchi, and Girolamo Dalla Casa, to name but a few.
It can be argued that Venice produced the best and most refined rococo designs. At the time[when?], Venice was in trouble. It had lost most of its maritime power, was lagging behind its rivals in political importance, and society had become decadent, with nobles wasting their money in gambling and partying. But Venice remained Italy's fashion capital, and was a serious contender to Paris in terms of wealth, architecture, luxury, taste, sophistication, trade, decoration, style, and design. Venetian rococo was well known as rich and luxurious, with usually very extravagant designs. Unique Venetian furniture pieces included the divani da portego, and long rococo couches and pozzetti, objects meant to be placed against the wall. Bedrooms of rich Venetians were usually sumptuous and grand, with rich damask, velvet, and silk drapery and curtains, and beautifully carved rococo beds with statues of putti, flowers and angels. Venice was especially famous for its beautiful girandole mirrors, which remained among, if not the, finest in Europe. Chandeliers were usually very colourful, using Murano glass to make them look more vibrant and stand out from others, and precious stones and materials from abroad were used, since Venice still held a vast trade empire. Lacquer was very common, and many items of furniture were covered with it, the most famous being lacca povera (poor lacquer), in which allegories and images of social life were painted. Lacquerwork and Chinoiserie were particularly common in bureau cabinets.
Fashion and shopping
In the 14th century, many young Venetian men began wearing tight-fitting multicoloured hose, the designs on which indicated the Compagnie della Calza ("Trouser Club") to which they belonged. The Venetian Senate passed sumptuary laws, but these merely resulted in changes in fashion in order to circumvent the law. Dull garments were worn over colourful ones, which then were cut to show the hidden colours resulting in the wide spread of men's "slashed" fashions in the 15th century.
Today, Venice is a major fashion and shopping centre, not as important as Milan, Florence, and Rome, but on a par with Verona, Turin, Vicenza, Naples, and Genoa. Roberta di Camerino is the only major Italian fashion brand to be based in Venice. Founded in 1945, it is renowned for its innovative handbags featuring hardware[clarification needed] by Venetian artisans and often covered in locally woven velvet, and has been credited with creating the concept of the easily recognisable status bag. Many of the fashion boutiques and jewelry shops in the city are located on or near the Rialto Bridge and in the Piazza San Marco. There are Louis Vuitton and Ermenegildo Zegna flagship stores in the city. If shopping for venetian and Italian food specialties and wine you can head to Mascari or Casa del Parmigiano near Rialto and I Tre Mercanti flagship store near Piazza San Marco.
Venetian cuisine is characterized by seafood, but also includes garden products from the islands of the lagoon, rice from the mainland, game, and polenta. Venice combines local traditions with influences stemming from age-old contacts with distant countries.[clarification needed] These include sarde in saór (sardines marinated to preserve them for long voyages); bacalà mantecato (a recipe based on Norwegian stockfish and extra-virgin olive oil); bisàto (marinated eel); risi e bisi, rice, peas and (not smoked) bacon; fegato alla veneziana, Venetian-style veal liver; risòto col néro de sépe (risotto with cuttlefish, blackened by their ink); cicchétti, refined and delicious tidbits (akin to tapas); antipasti (appetizers); and prosecco, an effervescent, mildly sweet wine.
In addition, Venice is famous for the golden, oval-shaped cookies called baìcoli, and for other types of sweets, such as: pan del pescatore (bread of the fisherman); cookies with almonds and pistachio nuts; cookies with fried Venetian cream, or the bussolài (butter biscuits and shortbread made in the shape of a ring or of an "S") from the island of Burano; the galàni or cróstoli (angel wings); the frìtole (spherical doughnuts); the fregolòtta (a crumbly cake with almonds); a milk pudding called rosada; and cookies called zaléti, whose ingredients include yellow maize flour.
The famous dessert tiramisù is thought to have been invented in Treviso in the late 1960s, and is popular in the Veneto area.
Art and printing
Venice, especially during the Middle Ages and the Renaissance and Baroque periods, was a major centre of art and developed a unique style known as the Venetian School. In the Middle Ages and the Renaissance, Venice, along with Florence and Rome, became one of the most important centres of art in Europe, and numerous wealthy Venetians became patrons of the arts. Venice at the time was a rich and prosperous Maritime Republic, which controlled a vast sea and trade empire.
By the end of the 15th century, Venice had become the European capital of printing, being one of the first cities in Italy (after Subiaco and Rome) to have a printing press after those established in Germany, having 417 printers by 1500. The most important printing office was the Aldine Press of Aldus Manutius, which in 1499 printed the Hypnerotomachia Poliphili, considered the most beautiful book of the Renaissance, and established modern punctuation, the page format and italic type, and the first printed work of Aristotle.
In the 16th century, Venetian painting was developed through influences from the Paduan School and Antonello da Messina, who introduced the oil painting technique of the Van Eyck brothers. It is signified by a warm colour scale and a picturesque use of colour. Early masters were the Bellini and Vivarini families, followed by Giorgione and Titian, then Tintoretto and Veronese. In the early 16th century, there was rivalry in Venetian painting between the disegno and colorito techniques.
Canvases (the common painting surface) originated in Venice during the early Renaissance. These early canvases were generally rough.
In the 18th century, Venetian painting had a revival with Tiepolo's decorative painting and Canaletto's and Guardi's panoramic views.
Venice is famous for its ornate glass-work, known as Venetian glass. It is world-renowned for being colourful, elaborate, and skilfully made.
Many of the important characteristics of these objects had been developed by the 13th century. Toward the end of that century, the center of the Venetian glass industry moved to Murano, an offshore island in Venice. The glass made there is known as Murano glass.
Byzantine craftsmen played an important role in the development of Venetian glass, an art form for which the city is well known. When Constantinople was sacked in the Fourth Crusade in 1204, some fleeing artisans came to Venice. This happened again when the Ottomans took Constantinople in 1453, supplying Venice with still more glassworkers. By the 16th century, Venetian artisans had gained even greater control over the color and transparency of their glass, and had mastered a variety of decorative techniques.
Despite efforts to keep Venetian glassmaking techniques within Venice, they became known elsewhere, and Venetian-style glassware was produced in other Italian cities and other countries of Europe.
Some of the most important brands of glass in the world today are still produced in the historical glass factories on Murano. They are: Venini, Barovier & Toso, Pauly, Millevetri, Seguso. Barovier & Toso is considered one of the 100 oldest companies in the world, formed in 1295.
The Carnival of Venice is held annually in the city, It lasts for around two weeks and ends on Shrove Tuesday. Venetian masks are worn.
The Venice Biennale is one of the most important events in the arts calendar. In 1895 an Esposizione biennale artistica nazionale (biennial exhibition of Italian art) was inaugurated. The activities of the Biennale were interrupted by the war in September 1942, but resumed in 1948.
The Festa del Redentore is held in mid July. It began as a feast to give thanks for the end of the plague of 1576. A bridge of barges is built connecting Giudecca to the rest of Venice, and fireworks play an important role.
The Venice Film Festival (Italian Mostra Internazionale d'Arte Cinematografica di Venezia) is the oldest film festival in the world. Founded by Count Giuseppe Volpi di Misurata in 1932 as the Esposizione Internazionale d'Arte Cinematografica, the festival has since taken place every year in late August or early September on the island of the Lido. Screenings take place in the historic Palazzo del Cinema on the Lungomare Marconi. It is one of the world's most prestigious film festivals and is part of the Venice Biennale.
Foreign words of Venetian origin
Some words with a Venetian etymology include arsenal, ciao, ghetto, gondola, imbroglio, lagoon, lazaret, lido, Montenegro, quarantine, and regatta. The name "Venezuela" is a Spanish diminutive of Venice. Many additional places around the world are named after Venice, e.g., Venice, Los Angeles, home of Venice Beach, California.